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ANIME TOP TEN (LIST #1) – #9: Neon Genesis Evangelion (1995)

 

 

Director(s): Hideaki Anno
Script: Hideaki Anno, Akio Satsukawa, Mitsuo Iso, Yoji Enokido, Yoji Enoto, Shinji Higuchi
Music: Shiro Sagisu
 
Neon Genesis Evangelion is more than an anime title, it’s a far-reaching phenomenon. It won the first Animation Kobe Award in 1996 and it’s consistently on top 10 lists throughout anime fandom. It’s not a perfect show. It’s actually a little overrated. The main narrative can be schizophrenic and there are elements left out you can only get information on through secondary sources. However, it’s conceptually solid. What Evangelion is really about, past the giant bio-androids, the giant monsters, and the often weird visuals, is communication. The problems the characters face are all due to poor communication, by being separate entities who have to make an effort to reach out, making themselves vulnerable to each other. Shinji Ikari (Megumi Ogata) is a boy who has trouble communicating what he means, and so he shies away. Asuka Langely Sohryu (Yuko Miyamura), on the other hand, compensates by being outwardly social, but inwardly insecure, looking always for validation. I watch Evangelion as more of a character study than anything else. The action can be good from time to time, but it’s a secondary quality. Evangelion is a concept-driven show more than anything. 
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ANIME TOP TEN (LIST #1) – #10: Space Battleship Yamato (1974)

 

 

Director(s): Leiji Matsumoto, Noboru Ichiguro
Screenplay: Eiichi Yamamoto, Keisuke Fujikawa, Maru Tamura
Music: Hiroshi Miyagawa
 
The brainchild of producer Yoshinobu Nishizaki and Leiji Matsumoto, Space Battleship Yamato is considered a classic, and with good reason. It’s groundbreaking in the way it sells its themes and characters and fleshes out its concepts. The story of a humanity on the brink of extinction, driven to desperate measures when a sudden hope appears, hunted by a deranged enemy that is perhaps no so unlike us, the spaceship Yamato cruises the sea of the stars in search of a cure to a diseased future. The point of view is mostly through the combat team leader Susumu Kodai (Kei Tomiyama), a brash youth whose family has died, who has little else but his own skills as a pilot. But he’s far from the only character: the fatherly captain, Okita (Goro Naya), the cooler headed pilot Daisuke Shima (Shuusei Nakamura), the bionic scientist Shiro Sanada (Takeshi Aono), and Kodai’s love interest Yuki Mori (Yoko Asagimi), the crew’s seemingly sole female, also compliment the story. A story of triumph and tragedy, perserverance and humanity, Yamato soars above other works of science fiction with grace and nobility. 
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Penguin Truth’s TOP TEN ANIME LISTS (PRIMER)

It’s been years since I began writing for Otaku Revolution, and some of you regular readers (all two of you) may still be in the dark as to what taste in anime I have. So, though it’s an often-changing element of my anime fandom, I’ve decided to make a list of my favorite anime, ranking them for all to see, and justifying my choices.

When people make top ten lists of their favorite anime, they tend to make the same mistake. That is, they group together TV series, OVAs, and movies. A TV series and a movie are two different beasts. You wouldn’t lump together live-action TV series with live-action movies, would you? Would you even lump together American or other Western animated productions together, TV shows with movies? Of course not. But for anime, somehow this tends to be the way we do things. Well, I, for one, refuse. read more