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Five Episodes In – Eureka Seven AO

Eureka Seven AO (also known as Eureka Seven Astral Ocean) is a sequel to the popular series Eureka Seven. Produced by Bones, AO is directed by Tomoki Kyoda (RahXephon, Eureka Seven) and features music by Kōji Nakamura (Supercar). AO tells the story of Ao Fukai, Eureka’s son, who joins Generation Bleu, a private company employed by nations to prevent occurrences known as Scub Bursts.

Eureka Seven is easily one of my favorite anime series of all time. Fantastic animation, fantastic music, fantastic direction, and strong va performances. Some folks may complain about annoying characters or the slow pacing of the show at times but that was an integral aspect of what made the show so great, the character development. Nearly every major character acted with some level of dispicableness and immaturity at but slowly developed and grew. Coming of age tales are a dime a dozen these days but few have done such a remarkable job as with Eureka Seven. read more

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Gunpla Rumor Time – PG Unicorn?!

The following just showed up on Samuel Decal‘s news feed…

A FUTURE NEWS….

MG AGE-2 7月14日
MegaSize 1/48 AGE-3 8月
RG Justice Gundam 形状試作公開 7月21日
MG Buster Gundam 8月
MG Aegis Gundam 9月
HGUC Rose Zulu 8月
HGAC Wing gundam 8月
HGAC Tallgeese 9月
HGFC Dragon Gundam 9月
PG Unicorn Gundam 製作發表 11月 ※8月のキャラホビで形状試作公開
PG Banshee 製作發表 11月 ※8月のキャラホビで形状試作公開

For those too lazy to open up Google Translator, 月 means month, so this list represents August through November of this year. The notes following the PG Unicorn and Banshee seem to indicate that it’s currently in a testing phase and my premier at this year’s Chara Hobby???

Rumors are just rumors, but there’s enough there to get the blood flowing. HG Gundam Wing kits? A PG Unicorn?! Considering what Bandai’s been up to recently the list isn’t all the surprising. A MG AGE-2 is pretty much inevitable (though I would’ve liked to see a MG G-Exes first) and a MegaSize AGE-3, though in tune with what the previous MegaSize AGE1/2 kits, would be bloody massive. read more

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Lupin III: A Woman Named Fujiko Mine Episode 06 Review

 Episode 06, "Prison of Love"

*****SPOILERS*****   Synopsis: Fujiko goes undercover at a private girl’s school to get close enough to a girl to steal her valuable pendant. However, the girl turns out to be Zenigata’s assistant, Oscar, in disguise. He’s gone undercover himself to get both Fujiko and Lupin. When Lupin arrives on campus, he seemingly falls for the trap. However, it turns out that Fujiko and Lupin have outsmarted Oscar after all.    Comments:   Predictability doesn’t always produce disappointment. For example, I wasn’t surprised or disappointed that an episode about Fujiko teaching in an a private girl’s school contained Fujiko kissing a girl, and liking it (the taste of her cherry chapstick). You’ve got a nod to shows like Oniisama E and Maria-sama ga Miteru that also take place in private girl’s schools and contain similar elements. It wasn’t an out-and-out lez fest, but did have some of the markers, and that’s a-okay with this typical heterosexual male.    We can see that Oscar is a pretty twisted guy. He obviously has a great disdain for Fujiko, who he sees as a "spitoon" (read: cumbucket). At the end of the episode he is practically murderous in thought. However, one wonders whether or not he was acting entirely as he played the young girl. That is to say, he may find himself somewhat attracted to Fujiko, based on what he said when she was knocked out, though he loathes what she represents. He’s either superb actor or a very confused young man, or more probably, both. He obviously will do anything for his beloved Zenigata, but all his work goes to pot when he’s outsmarted by Fujiko, enraging him. But why did it bother him so? Just look at his interactions with Fujiko as he poses as the young girl. Nobody can fake blushing. But he obviously has issues with women, as he even violently stripped the girl he was posing as for her uniform.    I was surprised when Lupin came onto the scene. He was obviously the person who released Fujiko from her bonds, but what was he doing there, anyway? Is he just keeping an eye out for Fujiko? He pretends to fall for Oscar’s trap but apparently escapes when Oscar is in histerics over Zenigata. My question is, what does Lupin get out of this? Is it all part of the same plan to get their hands on the papers by that physicist?    Another thing I don’t quite get is, what was the deal with those schoolgirls having guns? Why were they working with Oscar? That part didn’t make a lick of sense.    I did, however, appreciate the nods to Goethe’s Wilhelm Meister’s Apprenticeship, a classic bildungsroman novel of an ordinary man who tries to change himself by joining a group of elites. Fujiko quotes it when she says, "Women never show themselves in their natural form" and "They are not so vain as men, who conveive themselves to be always amiable enough, just as nature produced them." Fujiko herself is always wearing many covers, many disguises, so what is her "natural form"? This series is all about the formation of the Lupin crew, people who are also experiencing bildungsroman, a growth, a coming of age, so it’s appropriate.    Overall, some of the weirdness of the episode is a tad off-putting, like Fujiko’s strange flashbacks and the girls with the guns, making it seem a little silly, but not in a good way. It seems like the episode is merely setting up something for later and trying to do little else but that. It was weird that Zenigata barely spoke in this episode, and showed little zeal. This series really isn’t using him much, which is a shame. However, it was a pretty entertaining and stimulating episode, even if it wasn’t as good as the last one.    Fujiko better get Batman to take care of those Court of Owls folks from her past.    Overall Score:

4 out of 5
 

   
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Lupin III: A Woman Named Fujiko Mine Episode 05 Review

Episode 05, "Blood-Soaked Triangle"

  *****SPOILERS*****

Synopsis: Fujiko tells Lupin how he could obtain her: by stealing a treasure from an a new pyramid in Egypt. Also in Egypt is Jigen, who is all out of money, so he too is looking for the treasure. The two cross paths, and as they struggle as rivals against each other, they fall into traps, but end up cooperating with each other. Because of another trap, the two fall into a giant whirlpool of sand and find that Fujiko is there to reap the benefit of their work. However, they manage to escape the trap and join Fujiko, who finds the treasure. Suddenly the crypts start falling apart and the treasure needs to be sacrificed to open the way out.
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Gundam AGE Episode 27 Review

Episode 27, "I Saw a Red Sunset"

  *****SPOILERS*****   Synopsis: Flit sorties in the AGE-1 as the battle continues, closing in on the Veigan fortress ship. Asemu tears through the enemy until he encounters Zeheart’s MS. Flit strikes a blow against the fortress, but it’s still able to use is forcefield. The AGE-1 is damaged by a suicide attack, and Flit decides to return to the Diva. The Photon Ring Ray destroys the fortress’s shield. The fortress is on a collision course with the colony so the beam weapon is used again, which sets it off course. However, it takes the Diva with it as it heads towards Earth. The main cannon is damaged, so Remi goes out to repair it, but is attacked. The beam weapon fires again, freeing the Diva. Remi dies. Asemu decides to destroy the core of the fortress to prevent it from falling on Earth. Zeheart follows Asemu, intending to do the same (as damaging Earth is not his goal), leading him to the core. The self-destruct is activated and the two escape as the fortress explodes. The Diva descends to the Earth to retrieve Asemu.      Comments:   Oh noes! They killed off Glasses Girl! How shocking.    Well, it was obvious from the beginning of their relationship that something bad was going to happen to either Redhead Guy and Glasses Girl. It had all the death flags. Sudden relationship between two characters with little or no personality? Check. Romance on the battlefield without being main characters? Check. Promising to marry each other before one goes off to fight? Check. Close to the end of this story arc? Check. My only mistake was predicting Redhead Guy’s death instead of Glasses Girl. Though there was some stretch of believability when she left the ship to repair the cannon in the middle of battle. That’s a little convenient, isn’t it? She couldn’t have taken a beam to the chest while working in the hanger? Well, now I won’t have to deal with this shitty subplot anymore, unless Redhead Guy plans some massive revenge. In fact, I doubt we’ll even see him again after this arc. Being Redhead Guy is suffering.   Just so you know, that subplot was complete ass, so the death of Glasses Girl was entirely worthless. Now if they had only killed the both of them…    (But to be honest, I thought Kayra’s death in CCA was sad, even though she was barely there… hypocritical, I realize. Maybe I just felt bad for Astonaige.)   Asemu was pretty awesome in this episode. Going toe to toe with Zeheart on an even level, despite not being a X-Rounder, was great. Then there was his risking his life (even seeming to think about sacrificing his life) to destroy the enemy fortress before it hit Earth, even interrupting his fight with Zeheart to do so. Then he was able to put away his anger to work in tandem with Zeheart to destroy the core. Asemu has grown a little bit over time, and it shows in his conversation with Zeheart in the core. He now understands that the Earth is just as important to Zeheart as it is to him. This is the sort of understanding Flit lacks.    The whole bit in the fortress reminded me of Heero and Zechs in the remains of Libra, with Zechs deciding to use the Epyon to destroy Libra’s power plant. I half-expected Asemu to have to race to the atmosphere and use his Double Bullet to destroy the remains. What we did get was the last of the Magicians Eight sacrificing himself so Zeheart wouldn’t die in re-entry. At least one of them was useful.    Looks like the arc is winding down.    Overall Score:

4 out of 5

 
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Lupin III: A Woman Named Fujiko Mine Episode 04 Review

Episode 04, "Living in Song, Living in Love"

*****SPOILERS*****   Synopsis:  Fujiko teams up with Inspector Zenigata to stop Lupin III from stealing a priceless mask worn by a famous opera singer. There are rumors at opera house from which he plans to steal it about a phantom. Said phantom interrupts a performance, but it continues, with Fujiko standing in. Lupin tries stealing the mask and Zenigata steps in to apprehend him. In the catacombs of the opera house, Zenigata goes after Lupin, while Fujiko is caught by the opera ghost, who turns out to be the the secret lover of the singer. Lupin escapes Zenigata and joins Fujiko and the lovers.  Comments:   Lupin is back! And yet, there’s so little of him. He remains sort of a background presence for most of the episode. He only appears a few times, and barely even tries to steal the treasure, despite having declared that he would beforehand. His methods for obtaining it are even pedestrian compared to the last time we saw him, having rockets attached to a giant statue. Kurita does an excellent job voicing him, at least. You really get the sense of his playfulness. I especially liked it when he was disguised as the horse.    Where there’s Lupin, there’s bound to be Inspector Zenigata. He’s as determined as ever to capture our favorite lecherous thief. But something is a little off about him in this episode. I mean, he actually has his way with Fujiko, first of all, which is a bit weird for him. I know that his sort of cockier, more competent demeanor comes from the manga incarnation of him, but his attitude is a bit extreme in this episode, especially when he’s shooting at Lupin. It looks like he’s aiming to kill. I love the bit where he gets sprayed with Lupin’s fake blood and then accidently smashed in the face by Oscar. Now there’s a classical Zenigata injury.    If I have an issue with the episode, it’s how Fujiko is portrayed. Now, don’t get me wrong, I realize that so far, Fujiko’s contribution has been largely as an observer, just having happened to be there in most episodes thus far. But we’re always given a little insight into her as a character. Here is no different in that regard, we get a short flashback to her childhood, or some representation of her childhood. But, with that said, she really feels like window dressing in this episode. She doesn’t impart any of her philosophy of life or even really play much of a role in the action of the show. She feels like a prop.    The story is nothing special, either. I like the idea of Fujiko being a trap for Lupin, even Zenigata setting it up as such. But the thing with the phantom, the love affair, the stand-in prop designer, and such, I couldn’t really care less about. It’s not as gritty as Jigen’s affair with the mob boss wife, nor is it as interesting as Goemon trying to make friends with the children. It’s just kind of a distraction from more Lupin we could be getting. Frankly, I was expecting a little more from this episode.    The episode seemed a little disjointed and random at times. The stand-in for Aiyan (not Fujiko, the other woman) just came out of nowhere. There lacked any good focus in the narrative. And the ending is a little too up in the air. Do Lupin and/or Fujiko fish the mask out of the fire? Does Aiya spend the rest of her life in the hidden chamber with that guy? Do they all have dinner in peace? This is probably my least favorite episode thus far, but it was still pretty good. Loved the opera singing.    Next time, Lupin and Jigen meet!     Overall Score:

4 out of 5

 
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Lupin III: A Woman Named Fujiko Mine Episode 03 Review

Episode 03, "The Lady and the Samurai"

    *****SPOILERS*****   Synopsis:  Fujiko poses as the tudor for the king of Astria’s three grandchildren as valuable artworks are within reach on a train. A mysterious samurai, Goemon Ishikawa, appears on the train, claiming to be an entertainer. His mission is to assassinate the king. The train becomes out of control after sabatoge and Goemon is determined to stop it. Goemon cuts the rear cars away from the main body and saves everyone. At the castle, Fujiko encounters Goemon again, her only captured treasure the king’s belt. She kisses him and retreats. He runs off as well.    Comments:   This episode introduces the anachronistic samurai, Goemon Ishikawa XIII, who uses his sword, the Zantetsuken ("Iron-cutting blade"). He’s a man who believes in honor and has a great pride. In this, they have him as an assassin, but he ends up saving the day. He’s the kind of guy who is a little awkward, because his ideals are so out of place with modern society. Despite his hard looks and stern nature, he’s some times got a naivete when it comes to women, as it shows in this episode. He tries to be a gentleman, and even averts his gaze from Fujiko’s nakedness (well, he averts it after a while). You can say that he is entranced much in the way Lupin is, but Lupin is a bit more savvy and understands that women can be fickle.    By the way, I have to applaud Daisuke Namikawa’s performance as our SAMURAI FRIENDO. He makes Goemon sound very sharp and serious. I was a little skeptical when they brought him on in Blood Seal~Eternal Mermaid to replace the aging Makio Inoue. Inoue, who had played Goemon for decades (also Captain Harlock a few times), was so great in that role, and Namikawa was known for boys and young men, and I wasn’t sure he could pull it off. However, he does an excellent job in sounding battle-hardened, if a bit misplaced.    We get a bit more look into Fujiko’s psyche in this episode. Just as she told Jigen in the last episode that she’s constantly outrunning her past, she tells Goemon here that just like with him, "There’s no place for me anywhere, either." She’s constantly moving around, as a thief, never settling anywhere. And there’s a bit of sadness to her regarding that. Whereas Lupin is happy just having a challenge, Fujiko seems to be trying to fill a hole in her life (no, not that hole, pervs). I wonder if we’re going to get any further insights into her past. It’s also worth noting that Fujiko sacrifices her chance to get a lot of those treasures for the sake of helping to save the king’s grandchildren. We get some softness from her, a kindness she was lacking before. We see that Fujiko is indeed capable of caring for others.    The only flaw of the episode was that, well, I’m no train expert, but won’t that type of train stop on its own without coal being fed to it?    Favorite scene of this episode was, of course, Goemon cutting all those bullets in half. Priceless.  

Overall Score:

4.5 out of 5

 
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Gundam AGE Episode 26 Review

Episode 26, "The Earth… is our Eden"

*****SPOILERS*****   Synopsis: The Veigans target Nortrum, a Federation production base. Flit makes the Diva the flagship of the fleet defending it. Desil is outraged that he’s in the reserved forces. The Diva’s mobile suit team launches. Zeheart launches as well. Combat begins. Asemu uses his Double Bullet to great effectiveness. Desil appears and fights both Asemu and Woolf. The Federation fires a giant laser weapon that the main Veigan ship survives intact due to Zeheart’s warning. Desil activates his ability to control other mobile suits, but Woolf saves Asemu, only to be run through by Desil. After telling Asemu to become a super pilot, Woolf’s mobile suit explodes. In a rage, Asemu attacks Desil, destroying his mobile suit. Flit launches in AGE-1.      Comments:   This was an awesome episode.    Killing off Woolf could prove to be a big mistake in the future, since he was such a good character and added something to the mix, but he went out like a champ, saving Asemu so he can live on to be a SUPAA PAIRUTO. What I liked was that the death was a little surprising, but not completely out of nowhere. There were a few death flags before this, but when he kept surviving, they were easy to ignore. But I guess I should’ve known by the speech he gave Asemu in the last episode that something would happen to him. The result is that this death actually has a bit of impact, both on the characters and the viewer. My only problem is that somehow nobody gave a shit about Grodek’s death (except Flit for about a moment), but Woolf’s death is  mourned by all. Grodek probably can’t rest in piece because of that.    The Federation has a big ol’ beam weapon that increases the effect of the Diva’s main cannon. I think it was pretty neat, even if it didn’t really do much. I want to see a similar to Zeta Gundam or 0083 fight to defend the laser parts so it can fire. I think the remaining members of the Losers Eight should attempt that.    The loser Desil finally meets his end, not at Flit’s hands, but by his son’s. That was a great beatdown. Only unlike Flit, Asemu showed no mercy at all. For a moment I thought he might, but nope, Desil’s gone. It’s about time. That guy’s single-minded pursuit of Flit put himself and his comrades in danger. This is one less headache for Zeheart, who by the way, seems glad to be rid of him, despite them being family. I love how Desil’s mobile suit could control the others, though. He should have taken better advantage of that, but he was too obsessed and wasn’t thinking clearly.    Speaking of losers and death flags, when is that obnoxious redheaded guy going to die? If I had any problem with this episode, it was my trouble caring for this guy or the glasses girl. I mean if there aren’t death flags waving everywhere on this guy, I don’t know what a death flag is. Forced romance with a non-character? Admitting his desire to marry her? Her agreeing to marry him just before he leaves for combat? I think maybe Sunrise is mocking the people who think his death is coming. It would be hilarious if this guy survives the entire generation only to be killed right away in the third one.    The action in this episode was excellent. Especially when Asemu let loose.      Overall Score:

4.5 out of 5

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Lupin III: A Woman Named Fujiko Mine Episode 02 Review

Episode 02, "Magnum .357"

  *****SPOILERS*****   Synopsis:  After losing a bet to Cicciolina, the owner of a casino and a mob boss, Fujiko is tasked with stealing the gun of a mob bodyguard, Daisuke Jigen. Fujiko infiltrates the rival faction as the girlfriend of Jigen’s boss, to get closer to Jigen. However, she has difficulty due to Jigen’s distrust of women. Fujiko drugs him and is able to takes his weapon. In the past, Jigen had an affair with Cicciolina and her husband found out. When he threatens to kill Jigen, the two struggle and her husband’s gun goes off, killing him. Jigen takes the blame for what happened. In the present, Jigen meets Cicciolina in a church where he’s ambushed, but takes down every gunman. She points his magnum at him and he shoots her, but it turns out the magnum was empty. It was all a set up so he could kill her. Jigen decides to give up being a killer.    Comments:   An episode of Lupin III without Lupin III! I guess Fujiko really is the main character. Although, that, too, comes into question, because she barely plays a role in this episode herself, and is more of a plot device than anything else. We do get some insight on her in the last scene though. She talks about outrunning her past. Are their some secrets about Fujiko’s past that are yet to be revealed? Interesting.    The main focus of this episode is the bearded shootist, Jigen. And more specifically, his relationship with the woman, Cicciolina. Anyone familiar with the franchise knows that Jigen has trust problems when it comes to women, especially Fujiko. But it looks like he may just be trying to distance himself as to not get too attached to anyone. With Fujiko, though, he can sense she’s trouble and takes an immediate dislike to her.    I really enjoy the short shoot-out at the church. It reminds me of hardboiled noir fiction or maybe a little bit of "heroic bloodshed" movies. I love the movement, and Jigen hiding in the dust. It lends a sharp contrast to the earlier flashback where he has sex with Cicciolina in the coffin at the same church. I think the haunting organ music used in the scene fits perfectly with both the setting and mood.    There was no doubt that from the beginning, Cicciolina was seeking death, the way she lived her life. Maybe she always expected to be killed. What she didn’t expect was falling for Jigen. She reminds me of the character Tracy from On Her Majesty’s Secret Service, but with a twist.    What’s with Fujiko’s constant hair color change in this episode? She’s a brunette, she’s blond, she’s black-haired. Is she wearing wigs or did she really color her hair between scenes? One thought is that the scenes don’t happen right after each other. From the scene where Jigen finds Fujiko’s knife to the one where she’s pouring tea, perhaps a few days passed. It’s not clear.    I’m loving the use of those sketchy lines as shadows. It especially works in the scene where Cicciolina was struggling for the gun her husband was holding.  Another scene where it works well is the conversation between Fujiko and Jigen at the end. There’s just a very mangaish aesthetic to the whole thing that I enjoy.    Just like in the previous episode, we get the firing of a gun at the end. Only this time it’s a real one.    Another good episode. It had a dark, gloomy, tragic feel to it, but didn’t feel maudlin. It felt very real, very palpable. According to my research, Fujiko will be meeting Goemon in the next episode. I can’t wait to see his swordplay.      Overall Score:   4.5 out of 5