Random Shit
Gundam: Looking at the franchise’s future
With Gundam AGE wrapping up in the next six weeks or so and the mysterious Gundam: The Origin just off the horizon (I’m not sure Bandai has revealed how they’re going to do the adaption yet) I thought it would be a good time to sit down and discuss just what we want from one of our favorite franchises.
Below are some of my personal ramblings about what the series has been lacking as of late along with what it needs moving forward.
Make the story the most important aspect
Every series strives for something, whether it be to tell a story, comment on society, showcase animation, etc. Typically the shows which stick with us though the years focused on the story, the characters, and did so in a quality way (e.g. Cowboy Bebop, Planetes). Over the years Gundam as a franchise has shifted more from that dynamic to a vehicle to drive product sales. It’s a case most evident by how Bandai treated Gundam AGE. Products accompanying the series were announced early and many of the new designs to show up in the series were revealed on screen, but as merchandise. Save for a huge twist at the end many will likely remember the series as having a strong premise, some good designs, but a below average with every other facet.
Shooting a Pseudo Skull
The other week our trip to the range included some interesting targets. Realistic skulls used to train medical students, filled with red Jell-o and spaghetti. For the record, that wasn’t my idea. The still shots were taken with my old D300 and a cheap, painfully slow, 70-200mm lens. Due to being cheap bastards the shots were taken using FMJ rounds fired from an AR-15. The movies were filmed by smaller point and shoot cameras mounted much closer to the target (everyone was safely behind the firing line prior to any weapon going hot). The shots turned out fairly well but there’s a lot of room for improvement. Anyone want to donate a higher fps camera?
ANIME TOP TEN (LIST #2) FOLLOW-UP
List #2 took a little more decision-making on my part. I had to evaluate my current list and make a few choice corrections to reflect my current tastes. But there are still plenty of movies or single-part OVAs to praise, so here’s ten more, in short.
#s 11-20: 11. Farewell Space Battleship Yamato – The most memorable Yamato film, and an early attempt at capping the franchise, this movie has action, drama, romance, and plenty of large scale operatics. 12. Nausicaa of the Valley of the Wind – Miyazaki does what he does best in this adventure film with an environmental message. He transports the viewer to a foreign world, filled with wonder and danger, but without alienating the audience. 13. Lupin III: Episode 0: First Contact – This is probably the quintessential Lupin adventure, the jewel in the crown of Lupin’s grand age of TV specials and embodiment of Lupindom. Not only does it provide the story of how the Lupin gang met, but it’s also an exciting, funny romp through New York City, Lupin style. 14. Final Yamato – The climactic (then) final chapter of the Yamato franchise, Yamato goes again on a large scale mission, it’s last, to save the Earth from a Noahic disaster. Emotions run high, as does melodrama, but all in all a fine conclusion to the Yamato story. 15. Princess Mononoke – Another gorgeous, sprawling, sweeping story about so many things, such as perserverence, mercy, the environment, and coming of age, Miyazaki again hits a home run as he teaches us all the importance of respecting natural forces. 16. Lupin III: The Fuma Conspiracy – A lot like Castle of Cagliostro, but maybe not quite as beautiful. It does have the advantage of being more Lupin-ish than Cagliostro, with the characters acting a bit more like their usual selves. But also like Cagliostro, it has quite a bit going for it as an adventure movie.17. Patlabor: The Movie –
ANIME TOP TEN (LIST #2) – #1: Royal Space Force: Wings of the Honneamise (1987)
Director(s): Hiroyuki Yamaga
Screenplay: Hiroyuki Yamaga
Music: Ryuichi Sakamoto
"Reach for the stars" is a cliche motivational phrase denoting a desire to go as far as you possibly can to obtain your goals in life. In this movie, you can actually imagine the people who worked on it as desiring just that, not just the characters. It was an ambitious project for the fledgling studio Gainax and it unfortunately didn’t really make too many waves in Japan. But it’s a criminally underrated film that expresses its themes with thoughtfulness and doesn’t try to sugar-coat or talk down to its audience.
Royal Space Force is about a lost generation. Most of its main characters are a disillusioned, cynical bunch who don’t hold a lot of respect for their lots in life. The huge undertaking of a space program is something they don’t fully appreciate at first. In fact, it’s not until towards the end that these characters even come out of the fog of their stagnation and steel their determination to make the project work.
I love the details in the film. The studio clearly poured enormous attention into the film. The backgrounds are lush, the detail of the machines and the expressions of the characters and their movement are all excellent. The explosions are even well-drawn and have seemingly realistic physics to it. If nothing else, the movie is surely a visual feast, taking us into a world much like our own, with some slight, but vital differences.
Of course, one would be amiss if one didn’t mention a certain scene towards the end of the movie. It’s not a pleasant scene. If you’re any kind of decent person, you’ll probably feel disgust towards our "hero", Shiro. It even seems a bit too sudden and probably a bit too far to take the situation. The movie could have skipped that scene entirely and it probably would have been fine. Shiro is still a guy who needs to turn away from his life of decadence and sluggishness. However, in the scene’s defense, it creates a bigger need for Shiro to redeem himself, at the risk of his own life and well being. I also have an alternative view of the scene, if anyone’s interested. Not that it excuses Shiro’s behavior.
Wings of the Honneamise is a triumph of Japanese animation about the triumph of a man looking for a purpose in his life as well as others. It is as inspirational as much as it is well-crafted. It’s a must see.
ANIME TOP TEN (LIST #2) – #3: Cowboy Bebop: Knockin’ On Heaven’s Door (2001)
Director(s): Shinichiro Watanabe
Screenplay: Keiko Nobumoto
Music: Yoko Kanno
A great companion piece to the television series, this movie captures the flavor of Cowboy Bebop in a one-off that feels like a single episode type story but is on a grander scale that suits a movie. It has high production quality, to begin with. The art and animation are stunning. Everything is very detailed and the flow of animation is stunning, especially during the fight scenes, which are brilliantly coreographed. The music is yet another great accomplishment of Yoko Kanno and The Seatbelts, with each piece reflecting the atmosphere of the setting and situations given. The city (cities?) the movie takes place in are intricately drawn and have an active personality, as though it were a real place. There is a grittiness and activity that helps the city seem so real. The movie adds in slightly more insight into Spike’s personality and I personally couldn’t help sitting at the edge of my seat, rooting for him. Fans of the series shouldn’t miss it.
ANIME TOP TEN (LIST #2) – #4: Grave of the Fireflies (1988)
Director(s): Isao Takahata
Screenplay: Isao Takahata
Music: Masahiko Satoh, Michio Mamiya
Original Novel: Akiyuki Nosaka
Grave of the Fireflies isn’t just a fantastic anime film. It’s not even just one of my favorites. It actually seems to be something important, something one can’t possibly ignore or miss out on. It’s a vital, mandatory watch, not just for anime fans, not just for animation fans, and not just for movie buffs. It’s a must see for everybody. The gravity of the film reaches across borders, that’s how well-crafted and emotionally realized the film is. It’s a harsh, heartbreaking movie about two children, an older brother and a younger sister, who suffer loss after loss during a difficult time in history. They suffer most of all from the older brother’s pride, mind you, but this is no love note to war either. Whatever your stance on in history for what was done at that time, it’s easy to reconcile with the pain of innocents caught in the middle of a horrible situation. In fact, the author of the original novel it’s based on suffers from survivor’s guilt, a fact which helps to further color this important movie. If you haven’t seen this movie yet, you owe it to yourself to do so.
ANIME TOP TEN (LIST #2) – #5 Mobile Suit Gundam Movie Trilogy (I – 1981, II – 1981, III – 1982)
Director(s): Yoshiyuki Tomino, Ryoji Fujiwara, Yoshikazu Yasuhiko Screenplay: Kenichi Matsuzaki Music: Hiroshi Matsuyama, Takeo Watanabe As I said about the TV series, the now classic Mobile Suit Gundam wasn’t very popular at first. But due to its popularity in repeats, it garnered enough attention to warrent a film series adaptation. The TV series is a classic, but most of what it does, the movies do better. Some of the more garish toy advertisement elements were replaced with better looking alternatives and the story and themes are streamlined, without some of the clunkiness of the show. The new animation, most present in the third movie, is good enough to impress, but is also flawlessly in tune with the old animation. The new footage was headed by Yoshikazu Yasuhiko, so perhaps more credit can be given to him than for Tomino for the films.
ANIME TOP TEN (LIST #2) – #6: Castle of Cagliostro (1979)
Director(s): Hayao Miyazaki
Script: Haruya Yamazaki, Hayao Miyazaki
Music: Yuji Ohno
Actually, Castle of Cagliostro is pretty middling as a Lupin III feature. Lupin is more of a white knight than a rarely chivalrous pervert. Jigen and Goemon are barely there. Fujiko is obviously toned down. The feeling produced by the film is more of a storybook than a wild romp with the greatest thief in the world. But despite all that, or maybe even because of it, (depending on how you feel about Lupin’s usual adventures) this is an amazing film. Visually, it still looks gorgeous today. It’s stunning. Just the amount of detail is more than enough to make this a masterpiece on style alone. But it’s such an exciting movie, too. Lupin breaking into the titular castle is some of the best material committed to film. It really puts the viewer on the edge of their seat at the right moments, and at the back of their seat when it needs to be emotional (though sometimes overly sentimental). It’s such a well-crafted movie, one of Miyazaki’s best, and it definitely deserved this spot on the list, but it’s definitely more a Miyazaki work than a Lupin III film.
ANIME TOP TEN (LIST #2) – #7: Mobile Suit Gundam: Char’s Counterattack (1988)
Director(s): Yoshiyuki Tomino Script: Yoshiyuki Tomino Music: Shigeaki Saegusa Yoshiyuki Tomino is not for everyone, and nothing highlights it more than this movie. People tend to either love it or hate it. I can’t really blame some people for disliking it. The movie starts in medias res and many details as to how the conflict started are merely inferred. The movie will not hold your hand. The characters of Quess Paraya and Hathaway Noa are difficult to sympathize with, and their storylines seem to obscure more pressing matters, like the rivalry between Amuro Ray and Char Aznable. But I like the in medias res, myself, and really enjoy this movie for the large-scale final battle that was years in coming. What I like about the Quess and Hathaway portions is that Tomino’s highlighting the problems that the future generation have. The movie is all about wanting humanity itself to grow up, but that means also throwing away self-destructive stubbornness, and I think it does that justice. It also has some pretty good production values which still hold up to this day. Can one man change humanity? You might wish he can.