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ANIME TOP TEN (LIST #2) – #3: Cowboy Bebop: Knockin’ On Heaven’s Door (2001)

 

Director(s): Shinichiro Watanabe
Screenplay: Keiko Nobumoto
Music: Yoko Kanno
A great companion piece to the television series, this movie captures the flavor of Cowboy Bebop in a one-off that feels like a single episode type story but is on a grander scale that suits a movie. It has high production quality, to begin with. The art and animation are stunning. Everything is very detailed and the flow of animation is stunning, especially during the fight scenes, which are brilliantly coreographed. The music is yet another great accomplishment of Yoko Kanno and The Seatbelts, with each piece reflecting the atmosphere of the setting and situations given. The city (cities?) the movie takes place in are intricately drawn and have an active personality, as though it were a real place. There is a grittiness and activity that helps the city seem so real. The movie adds in slightly more insight into Spike’s personality and I personally couldn’t  help sitting at the edge of my seat, rooting for him. Fans of the series shouldn’t miss it. 
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ANIME TOP TEN (LIST #2) – #4: Grave of the Fireflies (1988)

 

 

Director(s): Isao Takahata
Screenplay: Isao Takahata
Music: Masahiko Satoh, Michio Mamiya
Original Novel: Akiyuki Nosaka
 
Grave of the Fireflies isn’t just a fantastic anime film. It’s not even just one of my favorites. It actually seems to be something important, something one can’t possibly ignore or miss out on. It’s a vital, mandatory watch, not just for anime fans, not just for animation fans, and not just for movie buffs. It’s a must see for everybody. The gravity of the film reaches across borders, that’s how well-crafted and emotionally realized the film is. It’s a harsh, heartbreaking movie about two children, an older brother and a younger sister, who suffer loss after loss during a difficult time in history. They suffer most of all from the older brother’s pride, mind you, but this is no love note to war either. Whatever your stance on in history for what was done at that time, it’s easy to reconcile with the pain of innocents caught in the middle of a horrible situation. In fact, the author of the original novel it’s based on suffers from survivor’s guilt, a fact which helps to further color this important movie. If you haven’t seen this movie yet, you owe it to yourself to do so. 
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ANIME TOP TEN (LIST #2) – #5 Mobile Suit Gundam Movie Trilogy (I – 1981, II – 1981, III – 1982)

 

 

Director(s): Yoshiyuki Tomino, Ryoji Fujiwara, Yoshikazu Yasuhiko Screenplay: Kenichi Matsuzaki Music: Hiroshi Matsuyama, Takeo Watanabe   As I said about the TV series, the now classic Mobile Suit Gundam wasn’t very popular at first. But due to its popularity in repeats, it garnered enough attention to warrent a film series adaptation. The TV series is a classic, but most of what it does, the movies do better. Some of the more garish toy advertisement elements were replaced with better looking alternatives and the story and themes are streamlined, without some of the clunkiness of the show. The new animation, most present in the third movie, is good enough to impress, but is also flawlessly in tune with the old animation. The new footage was headed by Yoshikazu Yasuhiko, so perhaps more credit can be given to him than for Tomino for the films. 
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Gunpla Posers 2012

In conjunction with r/Gundam and r/Gunpla we’re pleased to announce our first ever Gunpla competition, Gunpla Posers!

For our first (hopefully not last) Gunpla competition we wanted to do something a bit different than a lot of the other ones out there. Gunpla Posers is not looking for the best paint job, the best photo, or the best custom work. Instead we’re looking for the best pose.

This contest isn’t about pushing the limits of modeling and design but having fun and getting the most out of your gunpla. The kit you submit with doesn’t have to be fully detailed, covered in custom paint, or stand upon a photo realistic representation of Jaburo. It just needs to stand in a way that stands out. Yes, I know my wording needs some work.

Judging will be based on how the kit and it’s stance comes across. There are four categories you can enter, each with a bit of unique judging criteria. The intent is to make this contest fun and easy to enter for all ages and skill sets. So dust off your models and start snapping. Besure to read all the rules and entry guidelines listed below.

Prizes!

Besides a bit of bragging rights we will be giving out a few gifts. Winners will receive a copy of the upcoming re-release of Yoshiyuki Tomino’s Mobile Suit Gundam: Awakening, Escalation, Confrontation. These three books, mostly written after the conclusion of the original series, provide a different take on the start of the the Gundam franchise. As with all Tomino works it remains hotly debated to this day.

Expect more prizes to added to the lineup before the contest deadline! Sponsorship fell through 🙁

Entry Categories

There are three categories into which you could submit a photo…

  • Dynamic Pose – Is your kit charging fearlessly through the Gates of Hell? Is it cowering before a superior enemy? Is it gloating over a fresh kill? This is the all encompassing category that looks to answer the simple question; who can craft the best pose. Judging for this category will be based on the dynamics of a single kit in your entry.
  • Comedic Pose – This category is for the goofball in all of us. Come up with something that’ll make us chuckle. What makes things a bit tricky is that the concept still needs to be expressed in a single shot. In other words, no panel comics. Judging for this category will be based on the overall hilarity of your entry.
  • Accurate Pose – Perhaps the most challenging category of the three, can you duplicate a pose from the series or manga? Not only does one need to show creativity but accuracy in matching their kit to a specific scene. In addition it’s preferred that you include a snapshot of the pose you’re duplicating. Judging for this category will be based on how much your entry matches up with a scene.
  • Group Pose – Gundam pile?! Judging will be based on the over all creativity regarding how your kits are posed together.

While photo quality won’t be a deciding factor in picking a winner it’s much appreciated and clarity can definitely have a favorable impact. Check out our photography tips to help get the most out of your shots. read more

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ANIME TOP TEN (LIST #2) – #6: Castle of Cagliostro (1979)

 

 

Director(s): Hayao Miyazaki
Script: Haruya Yamazaki, Hayao Miyazaki
Music: Yuji Ohno
 
Actually, Castle of Cagliostro is pretty middling as a Lupin III feature. Lupin is more of a white knight than a rarely chivalrous pervert. Jigen and Goemon are barely there. Fujiko is obviously toned down. The feeling produced by the film is more of a storybook than a wild romp with the greatest thief in the world. But despite all that, or maybe even because of it, (depending on how you feel about Lupin’s usual adventures) this is an amazing film. Visually, it still looks gorgeous today. It’s stunning. Just the amount of detail is more than enough to make this a masterpiece on style alone. But it’s such an exciting movie, too. Lupin breaking into the titular castle is some of the best material committed to film. It really puts the viewer on the edge of their seat at the right moments, and at the back of their seat when it needs to be emotional (though sometimes overly sentimental). It’s such a well-crafted movie, one of Miyazaki’s best, and it definitely deserved this spot on the list, but it’s definitely more a Miyazaki work than a Lupin III film.  
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The Tenchi Muyo Manifesto

Recently, I’ve been rewatching Tenchi Muyo!, which was a favorite for a while. Nowadays I don’t consider it a favorite, but I do have a certain fondness for it, even besides nostalgia. The original two OVAs were both humorous and endearing and there’s an immense world of possibilities in them. It really felt like it was going somewhere with it all, and for years waited with anticipation for a follow-up.  Sure, there were two TV series, three movies, and spinoffs, but it was the OVA that really inspired interest from me.  read more

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PG Zaku II ver. Reprise – Update 02

I’ve been making decent progress on my clear PG Zaku, though I ran into issues.


Click to Enlarge | On Flickr

The torso and waist armor were both given coats of Tamiya’s Smoke, clear black paint. They booth looked exactly the same prior to the dull coat, but one received the tail end of a Mr. Super Clear Flat can while the other was coated with a fresh one. For whatever reason the waist armor stayed the proper colour and the torso developed an odd blue tint. This is the first time I’ve applied top coat over a piece using clear paint so I’m not sure where to begin in identifying the project. Since this kit is something I’m doing to just work the idea out of my system, and there’s nothing I can really do to fix the pieces aside from ordering new ones, I’ve decided fretting over it isn’t worth the time. There are plenty of other gunpla projects to be anal over! read more

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ANIME TOP TEN (LIST #2) – #7: Mobile Suit Gundam: Char’s Counterattack (1988)

 

 

 

Director(s): Yoshiyuki Tomino Script: Yoshiyuki Tomino Music: Shigeaki Saegusa   Yoshiyuki Tomino is not for everyone, and nothing highlights it more than this movie. People tend to either love it or hate it. I can’t really blame some people for disliking it. The movie starts in medias res and many details as to how the conflict started are merely inferred. The movie will not hold your hand. The characters of Quess Paraya and Hathaway Noa are difficult to sympathize with, and their storylines seem to obscure more pressing matters, like the rivalry between Amuro Ray and Char Aznable. But I like the in medias res, myself, and really enjoy this movie for the large-scale final battle that was years in coming. What I like about the Quess and Hathaway portions is that Tomino’s highlighting the problems that the future generation have. The movie is all about wanting humanity itself to grow up, but that means also throwing away self-destructive stubbornness, and I think it does that justice. It also has some pretty good production values which still hold up to this day. Can one man change humanity? You might wish he can.     
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