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ANIME TOP TEN (LIST #2) – #6: Castle of Cagliostro (1979)

 

 

Director(s): Hayao Miyazaki
Script: Haruya Yamazaki, Hayao Miyazaki
Music: Yuji Ohno
 
Actually, Castle of Cagliostro is pretty middling as a Lupin III feature. Lupin is more of a white knight than a rarely chivalrous pervert. Jigen and Goemon are barely there. Fujiko is obviously toned down. The feeling produced by the film is more of a storybook than a wild romp with the greatest thief in the world. But despite all that, or maybe even because of it, (depending on how you feel about Lupin’s usual adventures) this is an amazing film. Visually, it still looks gorgeous today. It’s stunning. Just the amount of detail is more than enough to make this a masterpiece on style alone. But it’s such an exciting movie, too. Lupin breaking into the titular castle is some of the best material committed to film. It really puts the viewer on the edge of their seat at the right moments, and at the back of their seat when it needs to be emotional (though sometimes overly sentimental). It’s such a well-crafted movie, one of Miyazaki’s best, and it definitely deserved this spot on the list, but it’s definitely more a Miyazaki work than a Lupin III film.  
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The Tenchi Muyo Manifesto

Recently, I’ve been rewatching Tenchi Muyo!, which was a favorite for a while. Nowadays I don’t consider it a favorite, but I do have a certain fondness for it, even besides nostalgia. The original two OVAs were both humorous and endearing and there’s an immense world of possibilities in them. It really felt like it was going somewhere with it all, and for years waited with anticipation for a follow-up.  Sure, there were two TV series, three movies, and spinoffs, but it was the OVA that really inspired interest from me.  read more

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PG Zaku II ver. Reprise – Update 02

I’ve been making decent progress on my clear PG Zaku, though I ran into issues.


Click to Enlarge | On Flickr

The torso and waist armor were both given coats of Tamiya’s Smoke, clear black paint. They booth looked exactly the same prior to the dull coat, but one received the tail end of a Mr. Super Clear Flat can while the other was coated with a fresh one. For whatever reason the waist armor stayed the proper colour and the torso developed an odd blue tint. This is the first time I’ve applied top coat over a piece using clear paint so I’m not sure where to begin in identifying the project. Since this kit is something I’m doing to just work the idea out of my system, and there’s nothing I can really do to fix the pieces aside from ordering new ones, I’ve decided fretting over it isn’t worth the time. There are plenty of other gunpla projects to be anal over! read more

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ANIME TOP TEN (LIST #2) – #7: Mobile Suit Gundam: Char’s Counterattack (1988)

 

 

 

Director(s): Yoshiyuki Tomino Script: Yoshiyuki Tomino Music: Shigeaki Saegusa   Yoshiyuki Tomino is not for everyone, and nothing highlights it more than this movie. People tend to either love it or hate it. I can’t really blame some people for disliking it. The movie starts in medias res and many details as to how the conflict started are merely inferred. The movie will not hold your hand. The characters of Quess Paraya and Hathaway Noa are difficult to sympathize with, and their storylines seem to obscure more pressing matters, like the rivalry between Amuro Ray and Char Aznable. But I like the in medias res, myself, and really enjoy this movie for the large-scale final battle that was years in coming. What I like about the Quess and Hathaway portions is that Tomino’s highlighting the problems that the future generation have. The movie is all about wanting humanity itself to grow up, but that means also throwing away self-destructive stubbornness, and I think it does that justice. It also has some pretty good production values which still hold up to this day. Can one man change humanity? You might wish he can.     
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Gundam AGE Episode 18 Review

 Episode 18, "Graduation Ceremony Battle"

  *****SPOILERS*****   Synopsis: Time passes and Asemu is to graduate. On the day of graduation, he reveals his plan to join the military after the break. Military police interrupt the ceremony and arrest Zeheart. Zeheart’s contact decoys the soldiers. He attacks the soldiers until Zeheart can get to his mobile suit. In his cockpit he reflects on the times he’s had with Asemu and his friends. Back at the school, Asemu gets a call from Vargas, who has sent the trailer with the Gundam. The Gundam comes in and fights Zeheart’s MS. Asemu is again pinned down by Zeheart, who reveals that he’d been fighting him. Romary sees this. Zeheart retreats.    Comments:   Watching this episode, it feels like I missed five or six episodes. Asemu and Zeheart are dear friends with photos of moments of their friendship, Romary seems closer to them, and everyone is graduating.    There are two trains of thought on this, to me. One is, wait a minute, they just skipped ahead of character development? Shouldn’t we see some of those moments? They shorcut the way there with those photos, so that’s actually somewhat clever, but it doesn’t feel like Zeheart’s betrayal of Asemu’s trust is any big deal, because they’ve been friends for two episodes.    The other thought is, well, who wants to wait around? Obviously we’re trying to move forward to Asemu joining the military and fighting the Veigans more directly. If we’re just sitting around watching Asemu and Zeheart hanging out, it’s liable to get very boring. So in this way, the time skip is no big offender. There’s a lot of story to get to, after all, we can’t be sitting on our hands waiting for them to become good friends.    However, what about a compromise, Sunrise? You could have given it at least another episode for the relationship between Asemu and Zeheart to cement. Instead, this sudden skip ahead has decided character development in a very tricky way that removes any gravity a betrayal will have. We don’t really feel for Asemu because we already knew Zeheart was going to betray him and it didn’t have time to really build up.    It was a decent episode, I guess, but I don’t know, I don’t really like some of the choices they made.      Overall Score:   3.5 out of 5      
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ANIME TOP TEN (LIST #2) – #8: End of Evangelion (1997)

 

 

Director(s): Hideaki Anno, Kazuya Tsurumaki
Screenplay: Hideaki Anno
Music: Shiro Sagisu
All things must come to an end and in End of Evangelion, pretty much everything does (at least for a while). When the plans of SEELE and Gendo Ikari clash, Shinji, Asuka, and NERV all get caught in the crossfire of their grand schemes. Again the themes of alienation, of miscommunication, come to light as Human Instrumentality comes to fruition. Shinji experiences a frightening truth about himself and the world around him. He is forced to confront himself and this new world, and what it says about him as a human being, and what it says about all human beings. The production values are quite good, though the visuals can be needlessly trippy at times, and the action is brutal and unforgiving. End of Evangelion is a great capper to a great series. 
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Space Battleship Yamato 2199 PV

A few notes:

– Captain Okita’s character design seems to be the least redesigned.

– Doctor Sado looks like a compromise between his original design and the new style.

– Awesome, some of Hiroshi Miyagawa’s music is making it in, probably because his son is doing the music.

– Gamilian spaceships! If only they would show Gamilius and/or Lord Desslar.

– Starsha confirmed!

I’m so psyched about this. As I’ve established, SBY is one of my favorite anime, and this PV makes the remake look pretty damn good! read more

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ANIME TOP TEN (LIST #2) – #9: Patlabor 2 (1993)

 

 

Director(s): Mamoru Oshii Screenplay: Kazunori Ito Music: Kenji Kawai   This is Patlabor at its best. Casting aside most of the comedic elements of the OVA or TV series, this movie is more of a political thriller, commenting on society through the lense of these characters and the world they live in, which is much like our own. More than that, it concentrates on my two favorite Patlabor characters, Keniichi Gotoh and Shinobu Nagumo. In a more sophisticated version of "The SV2’s Longest Day" from the original OVA, a terrorist causes mass panic and political strife through a few actions, using the city and its people as a petri dish to grow his scenario in twisted revenge, and Shinobu has to deal with this old figure of her past, deciding what sort of action to take against this man she loved. I believe this was intended to be the finale for the Patlabor saga, showing the development of the characters and showcasing their abilities and personalities one last time, and it works as both that and with the intended themes of the film as a film all on its own.
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ANIME TOP TEN (LIST #2) – #10: Metropolis (2001)

 

 

Director(s): Rintaro
Screenplay: Katsuhiro Otomo
Music: Toshiyuki Honda
Metropolis is more of an atmospheric movie than a story or characters one. I enjoyed the old-timey looking character designs, the architecture of the city, and the dixie jazz more than anything. Not that the story or characters were slouches, mind you, but less interesting than the visual and audio aspects, the production values. It’s a beautiful-looking film, even the CG is not too bad. It’s got a pretty conventional storyline, and the only characters I was emotionally invested in were Kenichi and Tima, and even then, pretty superficially. The style of the film may hold domination over the substance, but it’s still a damn good ride. 
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