The second season of the Yamato remake wasn’t as good as the first (unlike in the original series), but I still have high hopes for these movies (which will probably be split up into episodes). Actually, I might review Yamato 2199 this year!
The second season of the Yamato remake wasn’t as good as the first (unlike in the original series), but I still have high hopes for these movies (which will probably be split up into episodes). Actually, I might review Yamato 2199 this year!
One final video for 2023, folks! As usual with my last video of the year, I go over the various English dubs of the anime I’ve covered in roughly the second half of the year. The strongest dubs were probably Gundam Unicorn and One Piece: Episode of East Blue, though I think most of the dubs I covered in this half of the year were at least decent. ADV’s dub of Macross notwithstanding. (Yikes.)
My bookend material for this year ends with kind of a surprise, but I was building up to it the entire year. If only it was so easy to take out political strongman in real life. But there’ll be consequences in the next stage of the story (though I’m taking it easy next year with the story bits). Anyway, enjoy!
Well fuck, I guess I haven’t really painted anything in the better part of two years. The one kit I did paint in 2023 was this, the RG Zeong with the Gundam Base Limited clear colour armor.
In the grand scheme of things this is a pretty basic build. Gun Metal across everything, then various details made of gold, silver, and copper. I also used some third party effect pieces, as the Last Shooting official set is incredibly expensive. The pieces themselves had to be sanded quite a bit to get rid of the mold seams and were then painted including an orange clear wash to add some depth. Oh, and I forgot, I also added a bunch of metal effect pieces ’cause why not.
I can only imagine the deviant debauchery you disgusting, rotting, booze-bloated wastrels are participating in this holiday season. You’re making the headless statue of Baphomet weep with joy and anguish as you drip the hot candle wax on the genitals of your willing, but bound, sacrifice to the dark ones, sneering with contempt for human life as you spit in the milk of human kindness and charity with your godless rituals. Long have you stripped these holy days of their reverent luster, replacing it with the cheap, gaudy sexual thrill of breads and circuses, with their fala-lala and ring-a-ding-ding. You’re on Santa’s naughty list. You haven’t contributed a single fucking penny to my Patreon, either. For shame.
I’ve got to say, The Woman Called Fujiko Mine is probably my favorite piece of Lupin III media, at least outside of Castle of Cagliostro (which is mostly because of the pure craftsmanship of the film). You’d think that if somebody tried to make a Lupin series a commentary on sexual politics and feminism (which I don’t go that much into in the video, mind you), they would fail miserably and the show would be a laughing stock of the franchise. But no, it’s very formidable. It may take a couple of viewings to really drive home how good it is, but when it does, it does it hard. I was glad I took this opportunity to talk about it.
Much like the previous two Sailor Moon movies, there’s not a whole lot to Sailor Moon SuperS: The Movie. It’s a short trifle of a feature, only about an hour long, with no room for development for its characters. But that’s no different than a lot of anime movies based on long-running franchises. The problem with this one is that, while charming, it doesn’t quite have the charm of the previous two, just like the second one didn’t have the charm of the first. So I guess SM movies are diminishing returns, whereas, say, the first 13 DBZ movies were all over the place, in terms of quality (and yet also never quite made it out of “charming but pointless”). Still, you have to love that “Three O’ Clock Fairy” song.
I’ve been meaning to get to The Irresponsible Captain Tylor for a while now and it seems like kind of a tragedy that I’m only getting to it when The Right Stuf is going away. This is a show Rob really likes, and I can see the charm. It’s not as much a biting satire as, say, Patlabor, but it does have a similar spirit of comedy, where you have a fun ensemble cast and comedy-of-error hijinks. It’s more of a parody of space operas, but with enough of its own character to not just be a collage of references. It’s a really fun show!
I’ve been meaning to get to the One Piece in some form for quite a while, and Episode of East Blue seems like as good as any a place to start, or maybe even better, since it encapsulates a lot of the early One Piece adventures and character backgrounds. And fortunately, this also coincides with the Netflix live-action TV series, which, as I say, is miraculously good. Well, maybe it’s less a miracle and more really hard work from the cast, writers, set designers, and others. It’s really, really good. Go watch it!
My Anime News Network review of Gundam UC Episode 1
Gundam Unicorn is full of flashy Newtype nonsense that I love. A lot of the OVAs try to stay away from Newtypes to maintain some sense of groundedness, but this one feels more like a proper mainline entry when compared to titles like Stardust Memory or 08th MS Team, so it’s no surprise that it addresses things Tomino typified. I really enjoy how it questions the validity of the very fabric of the UC timeline and its goals. Now, it does this imperfectly, sure, but that it even attempts to is worth noting. But it also has a lot of sparkly Newtype “understanding” that you have to be in a certain frame of mind to appreciate. I think you’ll find that while this entry is generally fairly well liked, it can be rather divisive. Personally, it’s one of my favorites.
Dragon Ball Z has one of those dubs that’s extremely popular despite it being such an affront to the original material. Why is that, I wonder? I’m guessing it’s mostly nostalgia. The same people who rave about how you have to watch DBZ dubbed are the ones who rant when there’s a slight translation difference in any other anime. Hypocrites, in other words. If a company did today to an anime what Funimation did to DBZ decades ago, there would be a huge controversy over it, and you know it.